Category: photography

Dirty Love

I rode by a couple earlier who reminded me of this pair, the nicest dirty couple in the world. They were hanging out on Barcelona’s busy La Rambla thoroughfare when I was there the summer before last. Down to earth, no?

A Dog at the Market

You can now cross Boiled Dog in a Nanning Market off your list of things to see before you die.

I’ve posted this pic a couple times before but it’s the first one to come to mind when Ailsa at Where’s My Backpack asked visitors to share some market pics in her latest challenge.

More about that October 2010 market visit –along with a dog and cat consumption in China update– is here. It was also the Gadling Photo of the Day for 18-Oct-2010.

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Riot Center

Sometimes you just gotta love kids who climb railroad bridges with cans of spray paint. This pic even inspired a very short video which you can find below and watch when you’ve got 44 seconds to spare. That in turn – and this is the best part – led to several hours acquainting myself with the soundscapes created by Sol Rezza.

From her bio on the Free Music Archive:

Sol Rezza (born April 7th 1982, Buenos Aires, Argentina) is a sound artist, sound designer and sound jockey focused on the transformation of soundscapes into strange sound narratives. Her works are developed from field recordings of her own, sound objects from nature recorded by the artist, vocal experimentation and computer generated virtual instruments used as sound modulators. Her pieces are noted for their unconventional way of working, achieving unique sound textures for each of her compositions through the layer modification of previously recorded sounds. The narrative and the constant play with the symbols of language is a fundamental point throughout his work.

I used about 40 seconds from her piece, Revolution as a Loop, from her album Spit. Check out the whole thing. Parts of it made my couch spin. And that hasn’t happened in a while. Excellent stuff.

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Weekly Photo Challenge: Summer (or, Chasing Usain)

This week’s WordPress Weekly Photo Challenge theme is summer; for the past several that has meant chasing Usain Bolt, the world’s fastest man.

This was taken from my press seat when he returned to the track a few hours after his 100 meters world record at the 2009 World Championships in Berlin where he clocked an otherworldly 9.58 seconds. A quick breakdown of what that means more precisely: Bolt covered the distance in 41 total strides at 4.28 strides per second, his average speed was 37.6 kilometers per hour, and he reached a peak speed of just under 46 Km/H.

If you’re a fan, here’s another pic I posted of Bolt taken a year ago after a race in Ostrava, Czech Republic. All things considered, it’s my favorite shot of Bolt. A few more are on my flickr stream here.

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The Devil’s Sonata – A Piran Portrait in 19 Pics, Part I

Piran, facing west

Oddly enough, in the five-plus years that Piran Café has been plugging along, I don’t think I’ve published more than a handful of photos here from the city whose name the blog bears and honors. I’ll make up for that absence today. And then some.

I hope choking you with nearly 20 photos isn’t too big an indulgence – Piran is one of the nicest spots on the planet, and not only because I was born there. It just is.

These were all taken yesterday during a quick visit to check out the newly renovated Mestna Galerija, or Municipal Gallery, which reopened last Friday (more on that in the next few days). I had enough time left over to scamper about the 15th Century city walls, stroll around the 13th Century cobblestone streets and collect some notes for a few upcoming stories. To help with your bearings: the photo above, taken from the city walls, faces west. Venice is at roughly 10 o’clock.

May 1 Square, formerly Piazza Portadomo

I’ll be writing elsewhere about Piran over the next several weeks, so rather than going into more detail here about Slovenia’s Adriatic diamond in the rough, I’ll instead recycle some ruminations on Piran that I pieced together a few years ago for a 24-hour Memoir Challenge. I’ve decided to reprint it in its entirety below (slightly edited, you’ll be happy to know), including the few opening paragraphs that don’t have much to do with Piran. That was a very fun project by the way, one I think everyone should set aside a day for every now and then.

The Devil’s Sonata? It’s the most famous piece composed by Guiseppe Tartini, Piran’s most famous son (for now). More about the piece is below.

Enjoy!

***

Chapter II. The Devil’s Sonata

The final prep work for this day-long exercise came last night after a long walk through Ljubljana’s old town center and a little beyond when I decided to reread Kurt Vonnegut’s final book, A Man Without a Country. With its publication in 2004, my favorite author, at 83, was inspired enough to break his promise to never write another book and admit in 146 breezy pages that he, like Mark Twain and Albert Einstein before him, had finally given up on the human race. The man had patience, no?

Vonnegut’s novel, God Bless You, Mr. Rosewater, or Pearls Before Swine, was published in 1965. It’s a story about Eliot Rosewater, a slovenly millionaire who controls a large family foundation, one of the richest in the country. When he’s forced by his overwhelming love for humanity to begin giving money away to anyone in need, his family hires a lawyer to prove he’s insane in order to save their fortune. It’s probably Vonnegut’s most upbeat book.

Forty years later in A Man Without a Country, Vonnegut concludes –and reminds us that Mark Twain did as well in his short story, The Mysterious Stranger, published 106 years earlier– that it was Satan, not God, who created the planet earth and its human race.

In February of 1965, a few months before Vonnegut gave us Mr. Rosewater and just ten days before Malcolm X was assassinated in Manhattan, I was born in Piran, a quiet and charming little northern Adriatic seaside town.

Piran sits at the end of a tiny peninsula that you won’t find on most maps, just south of Trieste, with a history going back at least thirteen centuries. Countless European empires laid claim at one time or another, but it wasn’t until the Venetians moved in during the latter years of the 13th Century that Piran began to take on the look of a quaint medieval town, Black Death and all. Five centuries later came the Austrians and during Napoleon’s relatively brief incursion –one of the little Emperor’s favorite concubines was Slovenian– Piran played host to the only naval battle in the history of Slovenian waters.

Mid 15th C. Benečanka, or ‘Venetian’ house, the oldest on the central Tartini Square

In February of 1812, a six-hour scuffle ensued when two British warships –one was named Weasel– attacked the French vessel Rivoli on its maiden voyage, eventually blowing to bits one of its three accompanying ships. The French surrendered (imagine!), and the remainder of the fleet was towed to the Dalmatian island of Vis, these days a popular destination for French nudists. Today it’s difficult to imagine six naval ships fitting into Slovenian waters.

Between the world wars of the 20th Century, Piran was under Italian tutelage, and from 1947 to 1954, administered by the Yugoslav Army as part of Zone B of the Trieste Free Zone. By the time I came into the picture, it was already Slovenia’s Adriatic pearl as part of Tito’s Yugoslav federation.

Piran’s favorite son –for now– is the early 18th Century violin master, composer and teacher, Guiseppe Tartini, who came of age and into prominence during the town’s Venetian enlightenment. He was barely into his twenties when he became the first known owner of a Stradivarius, those insanely beautiful and acoustically perfect violins created by the gentleman of Cremona, Antonio Stradivari. I’ve seen two over the years –the first time, at the Music Museum at the Royal Palace in Madrid, its sublime beauty nearly inspired enough to try my hand as a professional thief. The violin is after all known as the devil’s instrument, and Tartini is best known for his haunting and notoriously difficult composition, The Devil’s Sonata, or Trill. According to legend the piece came to him in a dream in which Satan stood at the foot of his bed strumming his own fiddle. (You didn’t honestly believe that the Charlie Daniels Band’s biggest hit was based on an original concept, did you?) I’ve heard lots of versions –my favorite interpretation is by Andrew Manze on Harmoniamundi. Do check it out.

Guiseppe Tartini standing tall in his eponymous square

Those sorts of dreams were likely not uncommon during Tartini’s tortured formative years. His father, a successful local businessman, wanted his son to join the priesthood, but the closest young Guiseppe would come to fulfilling his father’s wishes went something like this: When he was eighteen and studying law in Padua, Tartini eloped with a woman who was also a favorite niece of the powerful local Cardinal who, after receiving the news of the newlyweds, promptly put a bounty on Tartini’s head. Upon discovery, the young woman was sent to a convent while Tartini escaped to a monastery where he tempered his loss with a new love for the violin.

I don’t recall the devil ever appearing to me in a dream, but that doesn’t mean he hasn’t. Because like jokes, dreams are another thing I can’t seem to remember. But like Tartini, I’m convinced that music is mankind’s greatest invention, whether the inspiration behind it is diabolical or divine. Or somewhere in between. Especially in Piran where so many flashes of memory are associated with and ignited by music.

Even the burja winds –bora to Italians and bura to Croats– that pound the town each fall and early winter with gusts of up to a hundred-and-ten kilometers per hour and have been known to send stray cats airborne have their own mildly diabolical melody.

Which reminds me: When I returned to Piran for about six months in 1997, I tried to follow then-Czech president Vaclav Havel into a bar when he was in town for a meeting of Central European presidents. I was told that morning that beer was his breakfast beverage of choice, and wanted to buy him his first afternoon brew. Maybe even discuss a book or two. But one of the largest bodyguards I’ve ever seen blocked my way in. It was just as well, since I’d never actually read anything by Havel up to that point. I spent that late afternoon and evening with an extended Roma family from Hungary on the rocky beach below the cliff face that is home to the towering St. George church. They were strumming on cheap violins and banging on ratty old drums. We drank lots of wine. Tartini would have approved.

Which also reminds me: My first real taste of individual freedom came in Piran in the summer of 1980, when portraits of Tito, who had died just a few months earlier, were more plentiful than Coke ads are today. I was fifteen and my parents sent me off into the world by myself for the first time. They may still regret it. I remember being able to walk into a corner store, buy a pack of cigarettes and a porn magazine, and sit down at a pub next door and drink large glasses of beer and chain smoke while looking at pictures of nude Macedonian women as cheesy Balkan pop blared through scratchy speakers. For a fifteen-year-old suburban white boy, life couldn’t get much more free.

And by the way, Vonnegut again: He visited Slovenia several times during the Yugoslav days when the international writer’s organization, PEN, held meetings in the famous Alpine city of Bled. He often wrote that Bled was one of his favorite places on this planet that mankind is so bent on destroying.

But back to 1965. Like Tartini, I didn’t stay in Piran very long. He went to Padua via Venice; I moved to Cleveland via Paris.

***

From the city walls, facing north and the Bay of Trieste

St. George’s Church. Dates back to late 11th C., current likeness from 1637.

Looking down from St. George’s Church. A long drop. And yes, people have jumped.

***

These snaps are this week’s contribution for Travel Photo Thursday (#TPThursday on twitter) hosted by Nancie on her website, Budget Travelers Sandbox. When you have few minutes to browse, check out Nancie’s photos and those of others who take part. You’ll see some great photos and visit some wonderful places. The direct link is here.

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Zurich’s Radium Theatre, or Another One That Got Away – The Hunt For Long-Term Digital Storage Options

I posted this picture before a few times –my apologies to those who have grown bored with it. It’s one of my favorites because it wasn’t at all what I was planning for or expecting. I also didn’t plan or expect for the original, like this one posted a few days ago, to disappear forever.

It was a simple plan – to quickly, furtively and efficiently snatch a quick snap of this porn theatre’s ticket-taker on a smoke break, a mildly seedy street scene from one of Europe’s wealthiest financial capitals. I then remember being slightly pissed off when the car drove by, seemingly ruining said seedy scene. I couldn’t have planned that framing and positioning if I tried.

But the original was wiped out when the external hard drive mentioned here decided to roll over and die one day, inexplicably and without warning. I have a low rez version on my flickr stream, a few smaller versions on scattered folders here and there, a printed post card version as a second place prize in a contest, and one framed A4 print on my wall. Thankfully, it was done by a pro lab and should last a while.

I heard from and read about others who’ve encountered similar problems with back-up hard drives just giving out. Has anyone else experienced this?

Wanted: Reliable Long-Term Storage on the Road

About six months ago I started a dual back-up system, essentially backing up everything on two separate drives. That should improve my odds at least a little bit, no? I’m also thinking about an additional system using CDs, for select photos only.

These aren’t by any means new dilemmas. They’re ones we’re stuck with and have to deal with, problems those working solely in film never really encountered. With film –earthquakes, fires, floods and nasty divorces aside– storage and archiving was entirely under the photographer’s control. Negatives were lost or trashed due to the photog’s neglect. Now we are far too often at the mercy of the technology we’re forced to trust.

I’m mainly ruminating on this now that I’m beginning to prepare for an extended period of travel beginning in January, when I may be on the road for up to 18 months. (Or maybe indefinitely.) I take lots of photos –and have recently added video as well– which means the gigabytes can and do add up quickly. And adequate, safe and reliable storage is crucial.

I’ve only done a limited amount of research, but it seems that most long-term travelers today are going one of two ways: carrying around the newish durable and pricey travel hard drives or choosing to go the cloud route and uploading when they cross paths with a fast connection. I’ll post a follow-up on this at some point but in the mean time, I’d love to hear some experiences from others. Sharing is nice. :)

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Shooting in the Rain

It was a rainy day and a Monday too, but that didn’t bring me down. At all. A post in a FB group reminded me that I hadn’t yet finished Traces of a Friendship: Alberto Giacometti, a biography of the sculptor that I bought more than two years ago. And I made time for that. I’m nearly done.

And I also made time to watch and enjoy Neil Gaiman’s 10 tips for working in the arts to graduates of The University of the Arts in Philadelphia. It’s an amazingly entertaining 19 minutes. Maybe because Gaiman never went to college makes this one of the finest commencement addresses I’ve ever heard.

And I also made some time to go out and shoot a bit in the rain. The one above was shoot from the roof – even in the rain, cyclists in Ljubljana are ridiculously law-abiding, aren’t they? This one is from the roof as well and the third at Ljubljana’s central Preseren Square. I wasn’t on my bike. I prefer long rainy walks. Don’t you?

Summer: Festivals and Tomatoes


Ailsa of Where’s my Backpack invited me to join a photo challenge on the theme of Summer, as in, What Does Summer Mean to You. Thanks so much for the invite – happy to oblige. :)

Since moving to Europe eight years ago, and for a couple more before that, summer has meant a whirlwind of business travel, ranging from 3-4 days to upwards of two weeks. Time is always a precious commodity but I do try to make time for two things even if it’s just an hour: visits to art museums and checking out local festivals.

Like Lausanne’s Festival de la Cité where I spotted this women the summer before last illustrating that tomato spitting and catching is apparently all the rage among young couples. I hope it’s caught on elsewhere. Especially in late summer, the best time to truly enjoy tomatoes. :)