mondomanila

90-Second Reviews – Mondomanila

I spent about two hours last night with a blind porn-addicted beggar, a shirtless crack-smoking bow tie-wearing dwarf, a grey-haired one-armed teenaged rapper and a bike-riding cross-dresser who sells coal. Among others. And they were fabulous company.

Mondomanila is a high-energy, post-punk genre-bending spectacle which, much like the slum lifestyles it depicts, defies any rational categorization. Opening as a pseudo-documentary, the film speeds down a muddy highway where lanes of horror, exploitation, experimental and musical forms converge to find and spin a tale of hope from a situation that anyone not familiar with this stark and marginal world would view with nothing but utter hopelessness.

Based on the novel How I Fixed My Hair After A Rather Long Journey by Norman Wilwayco, Filipino director Khavn De La Cruz (who co-wrote the screenplay with Wilwayco) takes us on a graphic and colorful tour of what is likely a typical couple of days in the lives of a teenage street gang: it’s violent, seedy, bizarre and at times grotesque, yet remarkably tender when least expected. Even the goose scene, down to the smallest roach on the wall. (OK, tender isn’t quite the word for that one.)

“To be poor doesn’t mean to be defeated,” is how Khavn described the film and his outlook during a brief Q&A with the audience after the screening at Ljubljana’s Kinodvor last night (10-Nov).

Khavn is nothing if not prolific. He’s made 34 feature length films, more than 70 shorts, and is a writer, poet, composer and accomplished pianist. He’s also patient. Work on Mondomanila began back in 2002 but was immediately stopped; some of that was spun into related shorts before further revisions to the screenplay followed. Final work began in 2009 and the film was finally premiered in January of this year at the International Film Festival Rotterdam.

Censorship in The Philippines has meant few screenings domestically –among the exceptions was MFMF!, or Mondomanila Filmfest MotherFuckers! set up specifically for a domestic premiere– so Khavn relies primarily on the festival circuit for his work to be seen. It’s well worth seeking out.

Khavn’s website is here; the trailer and a few more clips below:

Halong Bay Quickie

I’m busy and swamped but haven’t posted since Friday and am beginning to shake.  Enter Jake’s post announcing water as his weekly Sunday Post theme, so there, potential time management problem averted. Thank you, Jake.

This is Halong Bay, one of Vietnam’s most visited areas, which isn’t managing its potential problems very well. You wouldn’t know it based upon what the locals are trying to sell. And not by what you come across in the majority of the travel blogosphere. The latter is a post topic in and of itself, which I’m forced to save for another time.  Suffice it to say that serene scenes like the one above, taken in late October 2010, are fairly rare when the departure pier, below, typically looks like a staging ground for a naval invasion.

Hope you’re enjoying your Sunday more than I’m enjoying mine. :)

Enhanced by Zemanta

A Dog at the Market

You can now cross Boiled Dog in a Nanning Market off your list of things to see before you die.

I’ve posted this pic a couple times before but it’s the first one to come to mind when Ailsa at Where’s My Backpack asked visitors to share some market pics in her latest challenge.

More about that October 2010 market visit –along with a dog and cat consumption in China update– is here. It was also the Gadling Photo of the Day for 18-Oct-2010.

Enhanced by Zemanta

Clips – Photoset From Vietnam in Business Insider

Business Insider published a set of 15 images yesterday from my October 2010 visit to Vietnam. Underscoring my not-so-controversial theory that women do most of the world’s work, all but three of the shots selected show women, most of them working. Conversely, all but one of the four men pictured are seated – apparently pacing themselves.

You can check out the slideshow here, or the single-page view here.

**** ****

Previous Piran Café posts from Vietnam 2010:

Jarai Arap Grave House (Piran Café Post #800)

This is a landmark post for Piran Café, its 800th since its inception early one chilly December morning in 2006. At a loss for how to celebrate or otherwise mark this turning point, I turned to my grandmother for advice. Her suggestion? Symbols of virility, fertility, endurance and strength.

“Pictures of large wooden penises,” she said. “Lots of them.”

I hate disappointing grandma, so I chugged my second generous glass of calvados and got busy searching and eventually found these: eight shots from the Jarai Arap Grave House in Hanoi I snapped back in October 2010. The house sits in a nicely maintained sprawling garden on the grounds of the Vietnam Museum of Ethnology. The day I was there, lots of brides-to-be were on the premises posing for portraits.

There are lots of human figures represented by the carvings, but those depicting couples readying themselves for the act are most prevalent. Symbols of fertility and birth were extremely important in death and, the Jarai (Giarai) believed, in the afterlife as well.

Enjoy!



__________________
If you haven’t guessed,
J is for Jarai Arap Grave House
in the Blogging From A to Z Challenge 2012.
Check out more participants here.

My explanation for this is here.

***

These snaps are also this week’s contribution for Travel Photo Thursday (#TPThursday on twitter) hosted by Nancie on her website, Budget Travelers Sandbox. When you have few minutes to browse, check out Nancie’s photos and those of others who take part. You’ll see some great photos and visit some wonderful places. The direct link this week is here.

*** *** ***

Piran Café will be inaugurating a free monthly newsletter in May. It’ll be loaded with travel tips and wine reviews, updates on CC licensed free-to-use photos, musings on my obsessions of the day, plus an exclusive FREE giveaway EACH month available to subscribers ONLY. Giveaway No. 1:  Sign up now and you’ll be automatically entered to win a FREE major publishing house travel guide of your choice. Drawing is on 1 May, so do it now!

***

Hey! Follow me on Twitter.

Enhanced by Zemanta

Five Long Exposures Inside Shanghai’s Bund Tourist Tunnel

And a hideously tacky Tourist Tunnel it is. But it makes for some great photo opportunities during the course of its five-minute journey.

Everything about the tunnel, which connects The Bund and Puxi to the Pudong Financial District beneath the Huangpu River, is so comically over the top and kitschy that it’s sublimely good. Well, almost. Multi-colored strobes, lasers, flashing projected images. Tinsel even.

At ¥40 (€ 4.75/$6.35) one way it’s not dirt cheap, so I’m not sure if I can recommend it. Unless you want to snap a few photos.

With no tripod or harnessing rig of any kind, these were obviously a hit miss. I just stood by the front window, held the camera against it and tried my best to keep it still. All are 10 second exposures at f7.1, 100 ASA except for the bottom one which was eight seconds at f5. No post-processing whatsoever.

Shanghai, 25-May-2010

If you’re suddenly overcome by a bout of Shanghai curiosity, check out some more of my pics from China’s biggest city here. No more flashing lights. Promise.

***

These snaps are this week’s contribution for Travel Photo Thursday (#TPThursday on twitter) hosted by Nancie on her blog, Budget Travelers Sandbox. When you have few minutes to browse, check out Nancie’s photos and those of others who take part. You’ll see some great photos and visit some wonderful places. The direct link this week is here. They also fit nicely for the WordPress Weekly Photo Challenge theme this week which is ‘Through‘.

*** *** ***

Piran Café will be inaugurating a free monthly newsletter in May. It’ll be loaded with travel tips and wine reviews, updates on CC licensed free-to-use photos, musings on my obsessions of the day, plus an exclusive FREE giveaway EACH month available to subscribers ONLY. Giveaway No. 1:  Sign up now and you’ll be automatically entered to win a FREE major publishing house travel guide of your choice. Drawing is on 1 May, so do it now!

Enhanced by Zemanta

First Photos of China’s 298-Million-Year-Old Buried Forest

Utterly fascinating. Some of the fossils almost look alive.

First Photos of China's 298-Million-Year-Old Buried Forest

Gizmodo: First Photos of China’s 298-Million-Year-Old Buried Forest.

Enhanced by Zemanta

Daegu Notebook

I never got around to posting these few video bits pieced together over my two weeks spent in Daegu last summer. The initial plan was to write up a mildly sardonic but woefully accurate outline of what two busy work weeks are like on the road – mainly for the benefit of those who think my various trips are nothing more than a vacation. But I never got around to it.

I also never got around to writing about the antique shop on Bong San Art/Culture Street whose owner tried to lure me into a back room where a bored scantily-clad woman wearing a Korean War era army helmet was lying in wait, sprawled across a plain drab mattress on a dirty floor. It was a nice and interesting shop and I’d rather not out the guy for fear of having his place shut down. So you’ll just have to find it yourself.

The vast majority of these were shot over the course of two afternoons I had off to wander around this city of 2.5 million, South Korea’s fourth largest. It was a clean, sleek and modern city, but I also got the impression that it’s one still trying to define its place within a sleek and modern country.

The first is a longer vidblog with a great soundtrack, Bahar Patlatan, by Hayvanlar Alemi.

The second is a much shorter experimental piece with some footage shot on the Daegu metro.

And finally, if you’re looking for a late afternoon rehearsal version of Funiculì, Funiculà by the Daegu City Symphony Orchestra, look no further. I just made your day.

You can check out some of my photos from Daegu (all CC licensed) on my flickr stream here.

 

Enhanced by Zemanta

Agent Orange’s Golden Anniversary

These are a few shots I took exactly one year ago today at the Thanhxuan Peace Village, or Lang Hoa Binh Than Xuan, an orphanage, school and clinic in Hanoi set up specifically for victims of Agent Orange. It was also the last time I sang Twinkle Twinkle Little Star before an appreciative audience.

Fifty years ago this month U.S. forces began dropping Dioxin on Vietnam, a milestone that passed without much fanfare. I mentioned the jubilee anniversary to a colleague. Jaded by a job that forces him to live in an ever-changing 24-hour news cycle, he simply said, “That’s old news.”

This too, I suppose, is old news: wars never end. They leave stories of the dead and legacies for the survivors and maimed. In Vietnam, some of those legacies take on the chilling form of children born with twisted, disfigured limbs or severe retardation. Some enter the world without eyes or sockets, never meant to see. Others have eyes that appear to be just a heartbeat or two from bursting out of their badly misshapen heads. Some are missing fingers, hands and arms. Others toes, feet and legs.  Not much unlike some of the victims left on the battlefield. This is Agent Orange’s third generation.

Even in the bustling streets of Hanoi, home to more than six million people who get around on more than four million motor scooters, it’s not uncommon to still see veterans of the American War, some maimed, some disfigured, many destitute.

From 1961 through 1971, United States forces dumped 20 million gallons, or about 80 million liters, of Agent Orange, a chemical defoliant containing an especially virulent form of dioxin, on southern Vietnam. Manufactured by Monsanto and Dow Chemical, it was housed in 55 gallon barrels adorned by orange stripes, thus its name. During the aptly named Operation Ranch Hand, whose goal was to deprive the enemy of cover by ridding the countryside of forest and jungle, dioxin was sprayed on more than 20,000 villages and hamlets, leaving more than three million hectares of forest destroyed. “Only we can prevent forests,” was the wry motto. And it worked. Double and triple canopy jungles were wiped out.

The operation ultimately left nearly five million people infected with dioxin. Estimates vary, but on the conservative side of things, some 150,000 children today live with the fallout. Epidemic doesn’t remain too strong a word.

*** ***

Lang Hoa Binh Than Xuan is in a gritty neighborhood on the northeastern fringes of Hanoi, about a 40 minute scooter ride from the Hoan Kiem Lake area. I found a reference to it in my pre-trip research – I can’t remember precisely where, sorry. The staff at my hotel had never heard of it. Neither did Thanh, My guide/scooter driver for the afternoon. When we eventually found it, his friendly demeanor and insistence gained us entry.

The facility has three buildings – the first combines dormitories on the second floor and a physical therapy unit on the first. The second is a two-story school, and the third, a three-story building, is the domain for medical treatment. All three combine to wall a fairly large courtyard. We were finally let in a little bit after two. Classes were back in session and the playground was quiet, empty.

We didn’t enter the clinic building, but the other two were modest but functional. In the school building, the paint on the walls of many of the rooms was flaking and peeling. It looked like a dirty map of a far away winter.

The ground floor hallway was musty. Strong odors emanated from one of the restrooms at the far end. In one small room, three young boys cried out towards me. One smiles, one waves shyly, another begins to drool. A fourth, catatonic, simply stares into the ceiling.

According to Vu Son Ha, the administrator we spoke with, 130 children live at the center while others come to attend classes or to receive physical therapy. Their ages vary wildly, from pre-schoolers to twenty-somethings who are forever trapped in the bodies of ten-year-olds. Some are orphans, but most are here because their families can’t afford the care their conditions require. About 50 doctors work at the center along with 10 teachers. Funding initially came mainly from overseas; since 2002 the Hanoi municipal government has provided some assistance.

On a typical day, the children wake up at 6, have breakfast at 7 and then attend classes until 11. Then it’s time for lunch, which is followed by a nap. Then there are more classes from 2 to 4 in the afternoon and dinner is at 5.

We visited a classroom where we were met with an overwhelmingly warm reception. We watched some visiting volunteers guiding the class in a sing-along, and when they were done it was our turn. Thanh jumped right in, leading the class in a Vietnamese folk song. Upon request, I followed up with Twinkle Twinkle Little Star. Some knew the words.

The largest and most brightly lit area was the art room. Paintings and drawings covered the dirty walls. Several kids were busy working on beautiful, vividly colored needlepoint landscapes. I bought one, a sun-lit pagoda scene. I still have to get it framed. Maybe I’ll do that tomorrow.

A few more shots.

**** ****

 Follow me on Twitter.

***

Previous posts from Vietnam 2010:

Vidblog – May 2011

Since June’s already half over, it was time to finally finish up this vidblog for May, the first of what I hope will be a monthly look back and some people, places and things.

This is mainly odds and ends and pieces and parts – some video, time lapses, and photo motions – shot in Doha, Qatar, Hengelo, The Netherlands, Ostrava, Czech Republic, a few airports, and in and around Ljubljana, Slovenia, in May 2011.

Music:
Mister S
by Tortue Super Sonic
freemusicarchive.org/ music/ Tortue_Super_Sonic/

CC / Attribution-Noncommercial-Share Alike 2.0 France License